A really great technique I have seen a lot of people do is build a 3 dimensional pattern on their slab. This instagram post by artist Lauren Tomlinson is a great example of what I mean. I personally have never been a great sculptor, and I am a bit clumsy with small detail, so for my first attempt I went with a very simplistic pattern.
A Color Tip

My current obsession is mixing in just a pinch of the Premo Sculpey Gray Granite with my color to add that speckling effect. I think this adds a beautiful rustic touch to any piece.
My Process
- I attempted to roll out my main slab in a rectangular shape to give myself more room to play.
- I also rolled out my secondary color because I decided to build the base of my pattern by cutting out shapes.
- I identified the base shape I would use to build off of and cut those out.
- Then I placed the shape on the slab, creating my main pattern.
- After all the circles had been placed, I used my rolling pin the gently roll them in to the slab, going from both directions to make sure not to create an oblong shape.
- I played with a few ways of created the legs coming out of the circles, and decided using my extruder and cutting small pieces, carefully measuring them, would be the easiest way to move forward.
- The part of the process that took the longest was placing the small legs. I used a really pointy tool to pick up each piece, as I wasn’t able to pick them up with my hands.
- Once all the legs were placed I again gently rolled the piece with my rolling pins in both directions.
- Finally I was able to cut my pieces, choosing placement I thought would highlight the design on the final pieces.
What Did I Learn?
While I do like the final product, I wouldn’t call these my favorite pieces I’ve created, but I think I learned a lot in the process.
I think my biggest take away would have been to either not roll the pattern in to the slab and just let it have a little more 3 dimensional presence, or have the clay I was using to created the pattern be rolled a lot thinner before working with it. I think I lost a lot of the detail of the piece when rolling it out. You can still see the distinct design of the Zia Symbol, but it’s a lot chubbier than I had initially anticipated.
I also think working smaller would probably have a better result for the final piece. I don’t mind that you can’t fit a whole Zia on any one piece, in fact I think that gives it a more artistic design, but I would have liked to show a bit more of the design on the final product.
Just doing something like this took me hours, so as I move into working on more detailed designs I need to prepare to commit some time to the process.
I look forward to building from what I learned and creating more intricate pieces in the future.


See You Next Time…
I know this Zia Symbol design only appeals to a very specific taste, but I hope my process and what I learned will inspire you to create something to your taste.
Next time I will show you the simple process of creating an ombre with your clay.
Until then, happy crafting!











































